Paris in October once again became the beating heart of the international art scene, and the 100 Collectors community gathered to navigate it together — through digital, contemporary, and conceptual territories that continue to redefine collecting itself. Art Basel Paris Week 2025 offered a rich constellation of experiences, where physical exhibitions and on-chain practices met in dialogue, revealing the new cultural landscape we are building.

Our journey began with a warm moment at ArtVerse Paris, where Primavera De Filippi closed her solo exhibition  — a research-driven exploration of blockchain as an artistic and philosophical paradigm - and our co-founder Eleonora Brizi moderated a panel about “Protocol Art”. The space opened the week with an invitation to think of art as a living system, capable of encoding new forms of governance and cooperation.

From there, we immersed ourselves in the Code + Matter group show at 17 Rue Chapon — a space vibrating with algorithmic and material tension. Works by Alexis André, Florian Zumbrunn, Julien Espagnon, and William Mapan expanded the idea of generative art into physical form, bridging code and craft. Just around the corner, ThankYouX’s solo exhibition Harmony & Tension at 66 Rue Charlot offered a resonant counterpoint — where gesture, rhythm, and abstraction reflected the delicate equilibrium between chaos and structure. We did it with a fantastic breakfast organized by 100 collectors for our members, followed by MEET THE ARTIST, where we visited both galleries and had an intimate conversation with all 5 artists, plus an experience signed 100 collectors with scores that each collector could choose to follow to experience the shows more personally. 

We visited FEMGEN at ArtVerse, a platform amplifying female voices in generative art. Panels throughout the afternoon traced a line between gender, technology, and authorship — a theme close to our collective ethos of diversity and inclusion within digital culture. Later in the week, You Were Never Solid, the hydro-feminism group show curated by Diane Drubay and Anika Meier, deepened that narrative, exploring porous bodies and more-than-human connections in art and technology.

As collectors, we also ventured into other key nodes of the fair circuit: Art Basel Paris at the Grand Palais Éphémère, Offscreen, Paris Internationale, Design Miami and ASIA NOW.
Offscreen with LoVoid installation was an absolute highlight of the week. 

As being part of Art Basel VIP program, we has access to the pre-opening of the new Fondation Cartier where we enjoyed monumental installations with our members. 

As Paris Week 2025 came to a close, we left with a renewed sense of direction: the boundary between the physical and the digital is no longer a frontier, but a field of collaboration.The next step — as always — is to continue shaping that field, together.